I knew I never loved Dean Rader
|
not
just as metaphor but as a means to clarity,
which is what I need this November night,
the moon swinging in its black noose over the city,
the entire world hooded,
blindfolded perhaps,
lined up against a wall and waiting,
the way a reader waits,
for a poem to get where it’s going.
Someday I will love the poem,
the way I
will love being afraid,
but this is not what I want to say.
It is something more like this:
the future is not
what it used to be,
and even that is only part of it.
The other part has something to do with
speculation,
like what awaits us when we remove the hood.
I
never knew I loved blindness.
The punishment for sight is always forgiveness.
Someday I will love forgiveness,
but it is difficult to love what has not been earned.
My grandfather when he was tenderest
would call me Dean Dean,
and I felt like a child
in the body of a boy who believed he had the
ideas of a man.
Every morning after breakfast he and my grandmother
would throw leftover toast into the backyard for the
birds.
I just remembered the birds and the bread.
I love them both.
Someday I will love more things,
and I will not think of death,
and even if I do I will not feel saddened by the end
of the person who wears my name,
even though it is always easy to mourn
a stranger.
The Author says about this poem:
ReplyDelete“A couple of years ago, I was telling my students how much I love poems that talk to other poems. So, I showed them Frank O’Hara’s poem from 1953, entitled, ‘Katy,’ in which the line, ‘Some day I’ll love Frank O’Hara’ appears. I then showed them Roger Reeves’ excellent poem ‘Some Day I’ll Love Roger Reeves’ and Ocean Vuong’s equally excellent ‘Someday I’ll Love Ocean Vuong.’ This notion of speculative or future love made me think of a poem by the great Turkish poet, Nazim Hikmet, entitled ‘Things I Didn’t Know I Loved,’ which looks backward rather than forward. My poem is an homage to four great poets and poems and to the larger history (and future) of poetry’s inclusive and celebratory function.”
INSTRUCTIONS: Write your own poem following this tradition inserting your own name into the title. Like the example poem try to include:
• an image from nature
• something you’ll love someday
• something about your body
• some time you felt in danger
• something about learning to love your name
Someday, I’ll love Tiffany Montoya
ReplyDeleteThe smell of the water that is
Running through the river
Down the mountains path.
The fall that is rushing past the trees
To the rocks at the bottom of the
Two-inch river bank.
The tiny yellow and purple flowers
Blooming wildly throw the
Dry brush
I’ll love to run marathons one day
Jog my heart out and not feel
Pain at all.
I’ll love to have my body back
To have the strength that I
Once did, I can’t think of a better
Thing than to be were I want to be
Than healthy me.
My knees are not good, they have
A brain of their own
I can’t trust them at all as much as I
Thought I could. I thought I could count on
Them to take me places but I
Just can’t anymore. I need them always
But they are telling me I don’t.
When I was five, I had no one.
I could hardly breath. I just wanted
My mom but she wasn’t around, I couldn’t even call
Her, I had no idea how, I felt so alone I felt like my whole
Life just was taken from me. Why did he have to be so mean?
For a long time, I hated it. Why did so many
People have to tease me with it? Why did I deserve to be called
Ti-ffany? Why did I deserve to be called Tippany?
Why not just call me Tiphanie? Or my name Tiffany?
Being young was hard so many things got to me
Now that I am older I am better, I am me! I am Tiffany.
You say so much in this poem I never knew about you. I think it is an important break-through in you expressing yourself. I love the opening, the images, the content. I will comment on it further at a later time, I think it is so fresh and such an important opening, that it needs a bit of time before I should interfere with any of your thought processes.
DeleteMy father gave me his name
ReplyDeleteso I was little Howard.
He loved his body,
hooking thumbs in his belt,
bench presses in the basement,
bragging of fights in washington DC,
the beautiful women.
never seeing each other for 37 years,
He never knew I used my middle name Scott,
that he died of COPD,
hating his body.
I love the poem. I know from knowing your story that the line "never seeing each other for 37 years" means you and your father, but I think this is unclear in the poem.
DeleteASSIGNMENT #2, MAY 3, 2021
ReplyDeleteBOLETUS
…..Rosanna Warren
Crickets are stitching the afternoon
together. What the squalling catbird rends,
crickets relentlessly repair. The maple shivers,
sends yellowed messages sailing down.
Too much has ripped: half the main branch cracked off
and hangs, teetering, across lower boughs
leaving, on the trunk, a blond wound.
We cross the brook on stepping stones and climb
west up the mountain flank through laurel thickets,
along the scooped-out valley of beeches, up
the stream bed to sit on a fallen tree. But there’s
no rest. We carry with us what we left
below—a country clawing its very idea
to shreds. The scarlet boletus mushroom
prongs from decaying wood. In its bishop’s
amaranth skull cap, it stands its ground. One kind
will nourish; the other sickens. But not,
like the white amanita, bringing on
THE AUTHOR WROTE ABOUT THIS POEM:
“This is very much a poem of the United States in 2020, beset with threats. Just beyond the borders of the natural scene, a pandemic storms, and militias and militant political lies tear the fabric of democracy. All this violence is obliquely visible in the poem in the bird cries, the wounded tree, the poisonous mushrooms.”
INSTRUCTIONS: Write a poem telling things from nature or the natural world that mirror the pandemic, as does Warren’s poem.
Crickets through the wild
ReplyDeleteThunder rolling through the sun
The pandemic spreads sickness through the world
Love this, especially the 2nd line. I might suggest you shorten the last line to "The pandemic spreads."
DeleteOn the shore of the Great Lake,
ReplyDeletegray salt mud, unknow
avian flu, the pandemic
grat
salt
ASSIGNMENT #1, May 10, 2021
ReplyDeleteThe Raincoat
……Ada Limón
When the doctor suggested surgery
and a brace for all my youngest years,
my parents scrambled to take me
to massage therapy, deep tissue work,
osteopathy, and soon my crooked spine
unspooled a bit, I could breathe again,
and move more in a body unclouded
by pain. My mom would tell me to sing
songs to her the whole forty-five minute
drive to Middle Two Rock Road and forty-
five minutes back from physical therapy.
She’d say, even my voice sounded unfettered
by my spine afterward. So I sang and sang,
because I thought she liked it. I never
asked her what she gave up to drive me,
or how her day was before this chore. Today,
at her age, I was driving myself home from yet
another spine appointment, singing along
to some maudlin but solid song on the radio,
and I saw a mom take her raincoat off
and give it to her young daughter when
a storm took over the afternoon. My god,
I thought, my whole life I’ve been under her
raincoat thinking it was somehow a marvel
that I never got wet.
INSTRUCTIONS: To celebrate Mother’s Day, write something your mother did to save you. (Or if you can’t come up with something your mother did—pick a mentor or even a pet to write about.)
She had a fine arts degree from Syracuse
ReplyDeletebut worked on Hoover Dam, drafting
the drawings. She never understood
the DNA that she married - there was
no funeral when she died.
I have a photograph of her grave
in Pennsylvania, the earth
is burnt umber and yellow ocher
I love the ending, I love the details. Perhaps you need a little more background--like what the DNA caused, although I'm not sure about that because I like it as is. The fact that there was no funeral when she died stands out. This is a very different poem from you--great work.
DeleteMom
ReplyDeleteShe saved me from crazy.
She helped me find tough.
She saved me from life.
She helped me with crazy
She saved me from barbwires
She eliminated the stones
She gave me rocks
Mom has been an ear even when it’s a little one.
I love the repetition of this poem (called anaphora when you start line after line the same way), and the way you altered it (she saved, she helped). I loved how you alternated abstract words (crazy, life, tough) with specific words (barbwires, stones, rocks). I'd love it if you put your name after the poem--so I know who you are. But great work.
DeleteSorry Sandy... it is me Tiffany... I am logged into a different computer.... Today I guess I am the Unknown... Opps.
DeleteASSIGNMENT #2, MAY 10, 2021
ReplyDeleteFalling: The Code
BY LI-YOUNG LEE
1.
Through the night
the apples
outside my window
one by one let go
their branches and
drop to the lawn.
I can’t see, but hear
the stem-snap, the plummet
through leaves, then
the final thump against the ground.
Sometimes two
at once, or one
right after another.
During long moments of silence
I wait
and wonder about the bruised bodies,
the terror of diving through air, and
think I’ll go tomorrow
to find the newly fallen, but they
all look alike lying there
dewsoaked, disappearing before me.
2.
I lie beneath my window listening
to the sound of apples dropping in
the yard, a syncopated code I long to know,
which continues even as I sleep, and dream I know
the meaning of what I hear, each dull
thud of unseen apple-
body, the earth
falling to earth
once and forever, over
and over.
INSTRUCTIONS; Describe some natural process in nature, such as an apple falling or a stream turning into a waterfall as it goes over a ridge, or a raindrop falling.
The ice storm :
ReplyDeleteSidewalks are faces in agony,
melting in the heat,
the witch in the Wizard of OZ
Love "the sidewalks are....," I think it works as is, although I would suggest skipping a line after "The ice storm" and making that the title.
DeleteWater falling down the mountain
ReplyDeleteRocks formed its path
Rivers covered with ice trails
Sorry this is Tiffany again....
DeleteAnother great haiku. I envy your haiku ability.
DeleteASSIGNMENT #1, May 17, 2021
ReplyDeletears pasifika
Craig Santos Perez
•
when the tide
of silence
rises
say “ocean”
then with the paddle
of your tongue
rearrange
the letters to form
“canoe”
INSTRUCTIONS: Since it is Asian/Pacific American Heritage Month, I thought we should use a poem by a Pacific/Asian American as an example poem. The author said of this poem:
“This poem emerged from the recognition that the words ‘ocean’ and ‘canoe’ are composed of the same letters. As a Pacific Islander poet, this resonated as a lesson in poetics, or an ‘ars pasifika.’”
A poem about writing is called an “Ars Poetica” in English. Write your own poem about writing, perhaps starting with a word using the same letters as your last line.
Sodden tracks of the logging road,
ReplyDeletefossils of the woods,
threshold of snow,
a campsite hidden
in brush piles..
The poem is the stump.
I love this. Maybe call it "Ars Poetica" ? Maybe make the first line "sodden tracks of logging roads" for rhythm. I love the last line.
DeleteThe canoe is
ReplyDeleteRowing itself
Through the big
Pacific Ocean onto
The Atlantic Ocean with
A bottle for the ore.
Sailing into almost
Nothing by the
End of the sun
*Tiffany*
Although I like the individual lines, I'm having a bit of trouble putting this poem together in my mind. I love the opening line ("The canoe is/Rowing itself). My favorite line is "A bottle for the ore."
DeleteASSIGNMENT #2, MAY 17, 2021
ReplyDeleteI Know My Soul
Claude McKay
I plucked my soul out of its secret place,
And held it to the mirror of my eye,
To see it like a star against the sky,
A twitching body quivering in space,
A spark of passion shining on my face.
And I explored it to determine why
This awful key to my infinity
Conspires to rob me of sweet joy and grace.
And if the sign may not be fully read,
If I can comprehend but not control,
I need not gloom my days with futile dread,
Because I see a part and not the whole.
Contemplating the strange, I’m comforted
By this narcotic thought: I know my soul.
INSTRUCTIONS: This poem is a sonnet (a 14 line poem) written by a leading poet of the Harlem Renaissance. It is written in a strict sonnet rhyme scheme. But rather than follow the formal sonnet form, try by following plucking something out of yourself (your spirit, your song, your country, your language) and placing it somewhere else (to the mirror of my eye, to the soles of my feet, to the top of the pine tree in my yard) and examine it from there.
The water in the streets
ReplyDeleteis the Colorado River
east of Moab
Maybe I'm just not awake today, but I'm afraid I'm not following this poem either. Perhaps a title would give it direction?
DeleteWhy the whisper that was not
ReplyDeleteIn my ear. How
Did I get to come to
This place? A place I
Thought I knew, a
Place I have been
To many times. Only
To find that I don’t
Know anything about it
At all. How do I get back
To where I have come
From? Somewhere I know
Somewhere they know me
A place they call home.
I love the 1st line. The poem progresses smoothly, and the ending is great. The enjambment works--but it might be easier to read if you only capitalized the beginning of lines after a punctuation point. (Why the whisper that was not/in my ear. How/did I get to come to/this place? A place I/thought I knew, a/place....)
DeleteThe hard part is, Microsoft automatically capitalizes it when I push enter... I don't do it so I know that it shouldn't be capitalized... sorry
DeleteASSIGNMENT #1, May 24, 2021
ReplyDeleteTHE WAITING
…….Jane Wong
I was waiting for something
to arrive. I didn’t know what.
Something buoyed, something
sun knocked. I placed my palms
up, little pads of butter, expecting.
All day, nothing. Longer than
that. My hair grew, fell out,
grew. Outside my window, I felt
the flick of a tail in September
wind. A bobcat sauntered across
the grass before me, the black tip
of its tail a pencil I’d like to sharpen.
I immediately hushed, crouched,
became a crumpled shock of
joy to see something this wild,
not myself. It turned to look
at me, its body muscular in
the turning. In its mouth was
the tail of a mouse drained of
blood, dangling diorama of death.
Sharp eyes looking at me and then,
not. Its lack of fear, its slow stroll
across the stream’s bridge, fur
lacquering its teeth. Sometimes
what comes to us, we never called
for. How long had I been crouched
like that? I stood up, blood rush
trumpeting. My arms wrapped
themselves around myself, lifted.
It was as if a bank vault had
opened and I was just standing
there, stealing nothing.
INSTRUCTIONS: You are waiting for something, but you don’t know what. What do you see in the meantime (deer, an ice cream truck, a purple elephant)? What finally arrives (a package of books, a storm, sunrise) or just the realization you were waiting for yourself to come back from waiting.
So this is how it happens
ReplyDeleteyou lay on the rock plateau,
horizon rising like black tea,
under remnants of pinyon pine
and staccato thunder.
The eagle-sized bird with gray feathers
hops, extends his wings. He is a church bell
and tolls for you.
I love this. You might make the 1st line the title--but it feels like a finished poem to me.
DeleteI am waiting for the day to become the evening.
ReplyDeleteI am waiting for the sunrise to become the sunset.
I am waiting for the day sun to become the night fall.
I am waiting for the twinkling stars to be shooting stars.
I am waiting for thunder to turn into lightening.
I am waiting for my first book to become my last book.
I am waiting for the next snow storm to turn to rain.
I am waiting for the real me to come back.
Good poem!!! I love the progression, the last line, the anaphora. I might add one more specific image just to ground it, and I might look for another word than twinkling (blinking star) as twinkling star is cliche, but waiting for it to be shooting stars is wonderful.
DeleteASSIGNMENT #2, May 24, 2021
ReplyDeleteLet Me Begin Again
Major Jackson
Let me begin again as a quiet thought
in the shape of a shell slowly examined
by a brown child on a beach at dawn
straining to see their future. Let me begin
this time knowing the drumming in my dreams
is me inheriting the earth, is morning
lighting up the rivers. Let me burn
my vanities: old music in the pines, sifters
of scotch, a day moon like a signature
of night. This time, let me circle
the island of my fears only once then
live like a raging waterfall and grow
a magnificent mustache. Let me not ever be
the birdcage or the serrated blade or
the empty season. Dear Glacier, Dear Sea
of Stars, Dear Leopards disintegrating
at the outer limits of our greed; soon we will
encounter you only in motivational tweets.
Reader, I should have married you sooner.
This time, let me not sleep like the prophet who
believes he’s seen infinity. Let me run
at break-neck speeds toward sceneries
of doubt. I have no more dress rehearsals
to attend. Look closer: I am licking my lips.
INSTRUCTIONS: With signs of the pandemic ending soon, write a poem like the example by Jackson titled “Let me begin again.” Use some images from nature, or any images you think of.
Let me begin again
ReplyDeleteAs I sit here looking out my window.
Let me just sit and stare at the world as I know it .
Let me try and figure out what my next move is.
Let me clear the storm going on in my head.
Let me make a list of all the things that I want to do.
Let me imagine for a second that I am going to be fine.
As I sit here, I am glad I am not here alone anymore.
I like this. The 1st 2 lines are great. All the rest works--but perhaps you could add a couple more images to make it shine a bit more. Like your next move--will I become a famous chef with a show on the food network, will I become a scuba diver... List a few of the things you want to do.
DeleteASSIGNMENT #1, JUNE 7, 2021
ReplyDeleteTHERE IS NOTHING QUIETER
Than softly falling snow
Fussing over every flake
And making sure
It won’t wake someone.
…………..by Charles Simic
INSTRUCTIONS:
1. Use a title like Simic’s: There is Nothing (Stronger, Weaker, Louder, etc.)
2. Use an image from nature (snow, rain, trees, rocks)
End with a way your nature image affects people (someone).
Rainwater erodes sandstone
ReplyDeletein desert flashfloods
in a noisy froth
death lives out there.
I like this. I'd either eliminate punctuation and capitalization or add it throughout. The last line carries a real punch, the 1st line not quite so much.
ReplyDelete1. ASSIGNMENT #2, JUNE 7, 2021
ReplyDeleteI LOVE YOU TO THE MOON &
……..by Chen Chen
not back, let’s not come back, let’s go by the speed of
queer zest & stay up
there & get ourselves a little
moon cottage (so pretty), then start a moon garden
with lots of moon veggies (so healthy), i mean
i was already moonlighting
as an online moonologist
most weekends, so this is the immensely
logical next step, are you
packing your bags yet, don’t forget your
sailor moon jean jacket, let’s wear
our sailor moon jean jackets while twirling in that lighter,
queerer moon gravity, let’s love each other
(so good) on the moon, let’s love
the moon
on the moon
INSTRUCTIONS: Chen says about this love poem: “I love the moon. I love love. And I’m always thinking about these idiomatic expressions which become cliched over time, but when you really think about them, they’re mysterious—enigmatic expressions. I wanted to give back to this piece of language some of its giddy mystery. To say ‘I love you’ is at once everyday and extraordinary, like the glorious fact of the moon.” Write your own poem based on a cliché expression, or perhaps another love poem based on Chen’s (I love you to the woods, sea, valley, mountains, sun, etc.).
The Vacation Ends
ReplyDeleteThe noise of the freeway traffic.
The noise of the police car sirens.
The noise of people arguing over property.
The noise of horns on cars honking.
The noise of cars fenders banging together.
The noise of people screaming for no reason or maybe a reason.
The noise of someone crying for help.
I love the irony of your title versus what happens in the poem. I love the last line. I have no idea how you came up with this from the assignment--but who cares--great poem!!!
DeleteThere you are standing there looking at me with those eyes.
ReplyDeleteThere you are speaking the words that you often speak to me.
There you are batting your eyes at me thinking I am going to bat back.
There you are with your heart throbbing almost out of your chest.
There you are just about speechless mumbling trying to get words out.
There you are standing there looking at me trying to say something with your eyes.
There you are, tears rolling down your cheeks with your jaw wide open and nothing more to say.
I like the movement of this poem, the details, especially the 5th line (just about speechless mumbling.....). The 4th line (heart throbbing) is rather overused, but I think you have saved it with the heart throbbing almost out of your chest. Good poem!
DeleteSmoky Mountain rains,
ReplyDelete35 degrees on the trail,
is a woman soon to separated,
the water now quiet on streamlets,
the solitude of dusk.
I like this. it took me a couple read-throughs to realize the Smoky Mountain rains is the woman soon to (be?) separated. Perhaps just making rains singular (Smoky Mountain rain) would make this metaphor clearer. Good poem.
DeleteASSIGNMENT #1, JUNE 14, 2021
ReplyDeleteVANISHING
…..Brittney Corrigan
Nearly one-third of the wild birds in the United States
and Canada have vanished since 1970, a staggering
loss that suggests the very fabric of North America’s
ecosystem is unraveling.
–The New York Times (September 19, 2019)
As the world’s cities teem
with children—flooding
our concrete terrains with shouts
and signs—as the younglings balance
scribbled Earths above their heads,
stand in unseasonal rain
or blistering sun,
the birds quietly lessen
themselves among the grasslands.
No longer a chorus but a lonely,
indicating trill: Eastern meadowlark,
wood thrush, indigo bunting—
their voices ghosts in the
chemical landscape of crops.
Red-winged blackbirds veer
beyond the veil. Orioles
and swallows, the horned lark
and the jay. Color drains from
our common home so gradually,
we convince ourselves
it has always been gray.
Little hollow-boned dinosaurs,
you who survived the last extinction,
whose variety has obsessed
scientific minds, whose bodies
in the air compel our own bodies
to spread and yearn—
how we have failed you.
The grackles are right to scold us,
as they feast on our garbage
and genetically-modified corn.
Our children flock into the streets
with voices raised, their anger
a grim substitute
for song.
INSTRUCTIONS: Write a poem about something that is thriving in the world (traffic, brown grass, hate, cancer) and something that is disappearing (endangered species, red barns, forests).
It is rain that thrives,
ReplyDeletepuddles of yellow leaves,
drips off the brim
of my hat,
the gutter wash.
Afterwards, it is hot steam
that remains.
I like this. There is a grammar problem with puddles drips. You could solve it by putting the puddles of yellow leaves in parentheses so it would be the rain drips, but I love the ambiguity that it the puddles of yellow leaves that drip off the brim of my hat. I also love the ending.
DeleteASSIGNMENT #2, JUNE 14, 2021
ReplyDeleteOLD MAN
…..John Ciardi
When the old man who had bought all his wives
ran out of cash, he took to feeding pigeons
in Washington Square. He had never learned
how to summon a meeting except by a bribe.
Now he was down to peanuts. But for once
he was buying responses that really
came to him and then really flew. He hummed
in that cloud, and wished he might scatter
diamonds to his pigeons as he had once to his
various chicks. Luckily for the pigeons,
however, he was beyond diamonds and could stress
only what was useful—a difference that made
the difference, for he grew gentle in the wing-worked
sun about him and learned he would die a lover.
INSTRUCTIONS: Like Ciardi’s “Old Man” write a narrative that develops a character (old woman, blind child, your sister etc. Try to include some elements contained in Ciardi’s poem, or some that are not such as:
• a place they go
• physical description (tall, skinny, black hair, wide mouth)
• something your character never learned
• some way in which your character changes
My father was proud of his body,
ReplyDeletemedium height,
lifting weights at night
in the basement,
gray mustache,
the artifical smile.
I like this--but it feels more like the start of a poem than a whole poem.
Delete1st poem:
ReplyDeleteWeeds burning very rapidly
No water for anyone to run
Red barns disappearing through the night.
I love this! You sure have (as I've said before) a talent for haiku.
Delete2nd poem:
ReplyDeleteThat blind child is in a hurry.
She is on a big mission to go to her favorite place.
she is headed to the biggest mountain there is.
She is short, she is not skinny but not big either, she has a mouth for sure.
She got to her mountain and looked up at it and realized she never learned to climb.
Being blind and not knowing any different she was taught that a hill was a mountain.
Wow! You say so much in this poem--it covers a lot of ground about disability very subtly. I love the first line--it starts with action which makes the reader want to go on reading. I might end the 2nd line with a comma, and make the 3rd line the biggest mountain there is. You might make the 4th line into 2 lines (put "she has a mouth for sure" as a new line). I might also break the last 2 lines into 2 lines each. She was taught that a hill was a mountain is such a great line I'd love to see it as the whole last line. GREAT work!!!
DeleteASSIGNMENT #1, JUNE 21, 2021
ReplyDelete“THE MISSING POEM IS THE POEM”
……………Sandy Anderson
I failed to write about how you
turned into the sunrise
and lit up the horizon…
About the orphaned bear cubs
you put into the back seat of your car
and to a Wildlife Rescue Retreat…
How an imaginary flower grew in your mind
and transplanted itself into real soil…
How suddenly the future was enclosed
with multiple new horizons…
* The title of this poem is a quote from who Maurizio Nannucci, an artist who painted these words on to a piece of wood and this is the whole painting.
INSTRUCTIONS: I wrote this poem after seeing the painting by Nannucci in Saturday’s “New York Times” thinking about so many poems I have tried to write that failed to say what I wanted them to say. Write your own poem with the title The Missing Poem is the Poem,” perhaps saying something you tried to say in former poems but never felt you managed to communicate.
The Missing Poem is the Poem
ReplyDeleteis the missing puzzle pieces,
the powder snow,
shared umbrella in rain,
sunrise in a tent,
but not the broken bricks
and cinder blocks of the street.
I like this. I love the puzzle pieces going into the snow line (I pictured puzzle pieces in the snow), the shared umbrella, sunrise in a tent--this image I especially liked. I like the broken bricks of the street--for some reason (I'm not sure what it is) I didn't think you needed the cinder blocks.
DeleteThis comment has been removed by the author.
DeleteThe Missing Poem is the Poem
ReplyDeleteI sit around at times thinking of what to say.
I lay around realizing I have nothing.
I stand around looking for something to picture and there is still nothing.
I close my eyes and hope to find something with nothing.
I try to just piece together something with nothing.
So many nothings that find something in common.
I like the concept of this poem, but I'm missing any images to picture the concept of something with nothing. (Nothing--a vast Sahara where I see no life, something--finding the snake under the sand).
DeleteI will have to think about this one and maybe rewrite it.... my brain is not writing mode... I have had a lot on my mind and a lot going on... sorry...
DeleteASSIGNMENT #2, JUNE 21, 2021
ReplyDeleteMove
Alicia Ostriker - 1937-
Whether it’s a turtle who drags herself
Slowly to the sandlot, where she digs
The sandy nest she was born to dig
And lay leathery eggs in, or whether it’s salmon
Rocketing upstream
Toward pools that call, Bring your eggs here
And nowhere else in the world, whether it is turtle-green
Ugliness and awkwardness, or the seething
Grace and gild of silky salmon, we
Are envious, our wishes speak out right here,
Thirsty for a destiny like theirs,
An absolute right choice
To end all choices. Is it memory,
We ask, is it a smell
They remember,
Or just what is it—some kind of blueprint
That makes them move, hot grain by grain,
Cold cascade above icy cascade,
Slipping through
Water’s fingers
A hundred miles
Inland from the easy, shiny sea?
And we also—in the company
Of our tribe
Or perhaps alone, like the turtle
On her wrinkled feet with the tapping nails—
We also are going to travel, we say let’s be
Oblivious to all, save
That we travel, and we say
When we reach the place we’ll know
We are in the right spot, somehow, like a breath
Entering a singer’s chest, that shapes itself
For the song that is to follow.
INSTRUCTIONS: This poem was a suggested poem to read by the Academy of American Poets for Juneteenth Day. You could read it as the Black Lives Matter protesters wishing to be recognized as equal and beautiful wanting their equal place in America, or as those with disabilities wishing their own accessible and equal place in American culture, or simply as a struggle in nature to survive. Write about your own struggles to find your place, using some examples from the natural world (trees, birds, wolves, etc.).
The world has changed who they are.
ReplyDeleteMy eyes are still the same as before.
Mountains full of smoke
Again, the haiku master emerges. I love this.
DeleteOn the C&O canal bike path
ReplyDeletethe midnight rain
flooded the streams,
destroyed the tents,
we sought shelter in clusters of shrubs
waiting for whatever daylight would come.
I love this. I might suggest putting it in present tense, which could give it even more impact.
DeleteASSIGNMENT #1, JUNE 28, 2021
ReplyDeleteOVER THE WEATHER
..,,,,,,,Naomi Shihab Nye
We forget about the spaciousness
above the clouds
but it’s up there. The sun’s up there too.
When words we hear don’t fit the day,
when we worry what we did or didn’t do,
what if we close our eyes,
say any word we love
that makes us feel calm,
slip it into the atmosphere
and rise?
Creamy miles of quiet.
Giant swoop of blue.
INSTRUCTIONS: Pattern a poem after the above poem by Naomi Shihab Nye:
• Start with something that’s around us in the world (space, clouds, land, water) and show how it remains even when we forget about it.
• Name a few times we forget about this (when we worry what we did or didn’t do, when we worry about what other people think of us).
• Say a word you love that negates all this negativity and anxiety.
• End with an image derived from your first image (the spaciousness above the clouds).
The rain is limestone gravel
ReplyDeletefilling streets and gutters
like sleet, the sound of thunder.
When the rain stops one can see
buildings and rooftops, in the windows
are faces that nod to you.
Like this--great ending.
DeleteThe clouds float low above us.
ReplyDeletemaybe the world is going to crumble down
Sunflowers are blooming in my front room.
I like this--but it doesn't affect me as strongly as many of your 3-liners. After the 2nd line, the 3rd seemed more hopeful than the world crumbling down allows me to feel.
DeleteASSIGNMENT #2, JUNE 28, 2021
ReplyDeleteAs dogs
Rachel B. Glaser
I try a new way of imagining people
as dogs
as dogs it makes sense
why anyone would be drawn to do anything
just as dogs rub themselves
in patches of grass
or suddenly lick a face
as dogs you can surely forgive
your mother
because she makes a funny dog
with frilly fur and worried eyes
and as a dog, is it so bad
you spend so much time
recalling a certain smell
or staring too long and too intently
at a torn leaf in a hot tub
a dog falls ill and says nothing
over time, they destroy the things they love
picture whoever is giving you trouble
or whatever part of you desires more than it has
then see a dog
pulling against the chain gripping his neck
or barely moving under a bench
watch the dog run away from everything it knows
do you blame them?
INSTRUCTIONS: Try imagining people in a new way (as hamsters, as worms, as rocks, as clouds) and show how it changes your image. Show at least a couple different people (in the example poem her mother and a person giving you trouble). Use images of how your (hamster, rock, cloud, worm) acts against or with this person.
I am the rock, nocturnal, under dirt,
ReplyDeletewithout fighting with other rocks,
decaying to red soil
Love this!!
Deletewe met as seeds.
ReplyDeletegrew into Trees and grew old together.
until someone cut me down.
Love this one!!!
DeleteASSIGNMENT #1, JULY 12, 2021
ReplyDeleteEVERYTHING NEEDS FIXING
…….Karla Cordero
in your thirties everything needs fixing. i bought a toolbox
for this. filled it with equipment my father once owned
to keep our home from crumbling. i purchased tools with
names & functions unknown to me. how they sat there
on their shelf in plastic packaging with price tags screaming:
hey lady, you need this! like one day i could give my home
& everything living inside it the gift of immortality, to be
a historical monument the neighbor’s would line up
to visit even after i’m gone & shout: damn that’s a nice house!
i own a drill now, with hundreds & hundreds of metal pieces
i probably won’t use or use in the wrong ways but what
i’m certain of, is still, the uncertainty of which tools repair
the aging dog, the wilting snake plant, the crow’s feet
under my eyes, the stiff knee or bad back.
& maybe this is how it is—how parts of our small universe
dissolve like sugar cubes in water—a calling to ask us
to slow our busy breathing so we can marvel
at its magic. because even the best box of nails are capable
of rust. because when i was a child i dropped
a cookie jar in the shape of noah’s ark,
a family heirloom that shattered to pieces.
the animals broke free, zebras ran under
the kitchen table, the fractured lion roared by
the front door & out of the tool cabinet
i snagged duck tape & ceramic glue. pieced each beast
back to their intended journey. because that afternoon
when my father returned from work i confessed
& he sat the jar on the counter only to fill it with
pastries. how the cracks of imperfection mended by
my hands laid jagged. chipped paint sliced across a rhino’s neck.
every wild animal lined up against the boat—
& a flood of sweet confections waiting inside.
INSTRUCTIONS: Have you ever gone out and bought a bunch of stuff for a new project, and then never used any of it? (for example: knitting needles and yarn, an album for family pictures you never took, watercolors you never used) Write a poem about this. Include (as in this poem) some remarks you expect to hear lauding your work, some things you think it will help about your shortcomings, etc.
Looms
ReplyDeleteThey all sit in the old bag that was given to me
They all sit un packaged and in order.
They are all ready to be used
They all have their purpose when I am ready
They all sit with yarn wrapped around them.
They all sit with their own projects
They all sit.
I like this--even the ambiguity of "they." I might suggest adding some visual interest by showing us some ways they wait (bubbles in a can of coke, bulls behind the fence at the rodeo).
DeleteI have an electric welder,
ReplyDeletenever used still on the shelf
in my garage, waiting to run a bead,
the welders mask hanging from the wall
in deceit.
This works. I love the metaphor (in deceit). I feel you could perhaps streamline your sentences a bit.
DeleteASSIGNMENT #2, JULY 12, 2021
ReplyDeleteHOPE
….Rosemerry Wahtola Trommer
Hope has holes
in its pockets.
It leaves little
crumb trails
so that we,
when anxious,
can follow it.
Hope’s secret:
it doesn’t know
the destination—
it knows only
that all roads
begin with one
foot in front
of the other.
INSTRUCTIONS: This poem is a personification: turning an emotion or feeling (abstract concepts) into a humanlike being (in this poem—wearing clothes with pockets, leaving little crumb tails). Write a personification poem of and idea, emotion, feeling (hope, love, hate, procrastination, faith). Try saying what this idea doesn’t know about itself.
Despair walks on street
Deletein rain, tennis shoes
leaking water, no socks,
remaining wet when the streets
steam-dry.
I like this--love the tennis shoes leak water, no socks.
DeleteIt is important to my you sort your stuff like first aid kits so you have room from getting rid of stuff you don’t really need anymore.!🤯🤫😬📩📵I have stuff I tend to keep in kits I use now days.!
ReplyDeleteI am thankful I have a plan for an emergency.!
Welcome back Megan, we've missed you. I like the way you use a first aid kit to prepare for the future. But this is not something you've bought on a whim and never used. Try naming a kit (a kit for coin collecting, a kit to do crocheting, a kit for badminton when you have no yard to put it).
DeleteThe pockets in
ReplyDeleteMy jeans ripped
Out when I tried
To put a coin in
There, one from
The gas station after
Buying me a soda.
My pocket ripped out
Of my jeans after I
Tried to put a
Bouncy ball in there
And it fell all the way to
thru and came out the
Bottom of my pant leg
And started bouncing across
The street into the park.
The pocket in my jeans
Ripped out when I
Put my hand in it to
See if I could dig out all
The stuff I put in there
And it all fell out.
I like this poem quite a bit--but am unsure what emotion or idea it represents. You could accomplish this by naming this emotion or idea as the title (despair?).
DeleteASSIGNMENT #1, JULY 19, 2021
ReplyDeleteGETTING INTO BED ON A DECEMBER NIGHT
……….Ellen Bass
When I slip beneath the quilt and fold into
her warmth, I think we are like the pages
of a love letter written thirty years ago
that some aging god still reads each day
and then tucks back into its envelope.
INSTRUCTIONS: Write a poem about getting into bed. using a metaphor like a love letter tucked back into its envelope. (Examples: like slipping into a river, like slipping inside a bear, etc.)
The north wind sends undercover messages,
ReplyDeleterattles the evergreens,
flickers the lights,
the voices of the greek philosophers.
Love this!
DeleteI like meditating and doing lots of breathing when my owl comes to sleep me and my 2 nephews.!
ReplyDeleteI like warming up the bird in my microwave and having my machine which makes a lot of noise.!
But Rocco and Lio do not mind because they are good dogs 🐕.!
I love the owl coming to sleep with you. Since I assumed it was a live owl, I found it rather shocking to warm it up in the microwave (which is okay to shock the reader) but love the machine making lots of noise. The ending also surprises because I thought at first Rocco and Lio were the names of the 2 nephews, so having them be good dogs surprising.
DeleteGetting into bed like sliding down a waterfall.
ReplyDeleteGetting into bed like rolling over in a vehicle.
Getting into bed like snuggling up to a porcupine.
Getting into bed like a worm finding their hole
Getting into bed like a grizzly looking for their spot.
Getting into bed like a snail crawled up in it’s shell.
Love this. The metaphors (actually similes because you inserted the word like) were all great. I especially love the water fall, the worm, and the snail--but actually I loved them all!
DeleteOops... let me change them....
DeleteGetting into bed as sliding down a waterfall.
DeleteGetting into bed as rolling over in a vehicle.
Getting into bed as snuggling up to a porcupine.
Getting into bed as a worm finding their hole
Getting into bed as a grizzly looking for their spot.
Getting into bed as a snail crawled up in it’s shell.
ASSIGNMENT #2, JULY 19, 2021
ReplyDeleteBreaking Free
Stuart Kestenbaum
•
I am pledging allegiance to the flag
in the basement classroom when
my crewcut friend appears at the door
with a message. He whispers to the teacher
who motions to me and I learn that
my dog has followed me to school.
What an occasion, that above all the other
scents in the world, all the other
high-topped sneakers, he has found me out
I learn that he has already made it through
the first grade, where he has
muddied a teacher’s dress with his dark paws.
I imagine his journey as he runs down
the long corridors that smell of chalk dust
and institutional cleanser, cantering
past the principal’s office, the holy of holies,
where the records are kept. I see him sniffing
at the blunt toed shoes of the army
of teachers who find him.
He wags his tail when he sees me, but I am
overcome with my notoriety. Why did you
follow me, why single me out? I get the dog
and put him out the front entrance.
Go home, I tell him, go on home, ignoring
his optimistic eyes, shutting
the great wooden doors
on that part of me that is
without a collar and wild.
INSTRUCTIONS: Write a poem about someone or something finding you, you finding someone or something. Give details of where this happened ( muddied a teacher’s dress, the long corridors that smell of chalk dust). End with a line that shows what this event meant to your (shutting the great awooden doors/on that part of me that is/without a collar and wild). If you can’t think of an event where you were found or found someone or something, make it up.
Couch
ReplyDeleteWe lifted it up and found so many things.
We didn’t even know that the quarter was missing.
We didn’t realize the lighter had fallen in.
That key that we were looking for was hiding under the spring.
The crumbs that never got vacuumed up.
One last piece of twixs treats left in the couch cushion.
I like this! You might try adding something you wouldn't expect to find under a couch (or couch cushion) to add an element of surprise.
DeleteASSIGNMENT #1, JULY 26, 2021
ReplyDeleteIN ANY EVENT
……Dorianne Laux
If we are fractured
we are fractured
like stars
bred to shine
in every direction,
through any dimension,
billions of years
sine and hence.
I shall not lament
the human, not yet.
There is something
more to come, our hearts
a gold mine
not yet plumbed,
an uncharted sea.
Nothing is gone forever.
If we came from dust
and will return to dust
then we can find our way
into anything.
What we are capable of
is not yet known,
and I praise us now in advance.
DIRECTIONS: Notice how each line of this poem is between 2 and 5 lines long (except for the last, which is 6). This helps shape the poem so it looks good on the page, and slows down our reading to appreciate each phrase. Try writing your own poem in this form (2-5 words a line). To end after 2-5 words press enter at the end of your 2-5 words, and you will have created a line break. Find a similar subject (if we are not whole, if we are broken) and find some room in that subject to fill us in in the end, so we become more whole, less broken.
It is human
ReplyDeletephilosophy
from the age of greeks
to bertrand russell
that is the glue
that holds us
together.
I like this as is quite a bit. Perhaps you could add one image to make it even more striking (it is human/philosophy/like a sunrise/from....).
DeleteASSIGNMENT #2, JULY 26, 2021
ReplyDeleteA DERVISH OF LEAVES
……….Ted Kooser
Sometimes when I’m sad, the dead leaves
in the bed of my pickup get up on their own
and start dancing. I’ll be driving along,
glance up at the mirror and there they’ll be,
swirling and bowing, their flying skirts
brushing the back window, not putting a hand
on the top of the cab to steady themselves,
but daringly leaning out over the box,
making fun of the fence posts we’re passing
who have never left home, teasing the rocks
rolled away into the ditches, leaves light
in their slippers, dancing around in the back
of my truck, tossing their cares to the wind,
sometimes, when I’m down in my heart.
INSTRUCTIONS: Lots of times when we’re down, noticing some detail of our surroundings can cheer us up, or at least take our minds of our down-nesss. Notice how he brings the leaves alive by personify them (make them like people). Find something that interests you in your surroundings, and describe it. Notice he uses positive images like teasing, light in their slippers, dancing. Try to shape your observances into positive features.
I am Broken
ReplyDeleteI heard
I am not enough
I hear
I am never good
I know
I am straining
I get it
I never listen
They say
I am still broken
Sorry, this was for the first poem...
DeleteI like this, especially changing I heard to I hear. You could add some images (I am broken/the rocks tell me/I am not enough/ says the trees). Those are just some examples of how you could add images, not suggestions (unless you want to use them).
DeleteThe pens dance around my desk.
ReplyDeleteThe pencils sing to me every morning.
The paper sway back and forth on my desk to the tune in my head.
My lotion waits patently for the others to finish until it’s their turn
The phone sits in the corner ringing off the hook.
The computer screen is playing its normal bubbling screen.
Love this. You might add a little to the last line--on what the bubbling screen looks like. But as I said, I love this poem.
DeleteASSIGNMENT #1, AUG 2, 2021
ReplyDeleteLet Me Begin Again
Major Jackson
Let me begin again as a quiet thought
in the shape of a shell slowly examined
by a brown child on a beach at dawn
straining to see their future. Let me begin
this time knowing the drumming in my dreams
is me inheriting the earth, is morning
lighting up the rivers. Let me burn
my vanities: old music in the pines, sifters
of scotch, a day moon like a signature
of night. This time, let me circle
the island of my fears only once then
live like a raging waterfall and grow
a magnificent mustache. Let me not ever be
the birdcage or the serrated blade or
the empty season. Dear Glacier, Dear Sea
of Stars, Dear Leopards disintegrating
at the outer limits of our greed; soon we will
encounter you only in motivational tweets.
Reader, I should have married you sooner.
This time, let me not sleep like the prophet who
believes he’s seen infinity. Let me run
at break-neck speeds toward sceneries
of doubt. I have no more dress rehearsals
to attend. Look closer: I am licking my lips.
INSTRUCTIONS: Start a poem with “Let me begin again.” Repeat this phrase a couple of times during your poem. Make sure to use some images from nature, and a surprising image such as “a magnificent mustache.”
Major Jackson says about this poem:
“Writing is my form of action, one that finds me—maybe owed to our global health, political, and climate crises— acclimating to an ever-increasing hunger to connect with a reader. The poem highlights the possibilities and joys of self-renewal and the promises of a new tomorrow. As a parent, my favorite mental pictures are of my children, individually off alone, looking curiously into an object. The poem, which is inspired by Philip Levine’s poem of the same title, quite seriously gifts the reader that sustaining image—a black child in wondrous thought.”
Of course (unless you are black) you shouldn’t write your poem from the viewpoint of a black child, but write it from your own viewpoint.
Let me begin again
ReplyDeleteto grow mushrooms
in moist loam,
begin again by soil
in calloused hands,
begin again with toes
in fields of dust and rocks,
looking for a little shade.
Wow! I love this!
DeleteLet me begin again with the ending of this poem.
ReplyDeleteLet’s just say that I haven’t even started but I have finished.
The night has ended and I haven’t even begun my day of chores.
I have not done my daily yoga, or my daily cup of joe.
Let me begin again with my ending to my night before I even start my day.
Let me crawl in bed before I even get out of it.
Close my eyes before they are open to know what my day is going to be like.
Let me begin again with the ending before the beginning is even written.
I love this poem! an especial favorite--Let me crawl in bed.... I love the idea of starting with the beginning.
DeleteASSIGNMENT #2, JULY 26, 2021
ReplyDeleteMEDITATION
--Pick a spot where you can write for a while without being disturbed. This could be a private spots where you’re alone, or a coffee house or park.
--Begin by focusing on your immediate environment. Note the sight, sounds, smells all around you and start writing them down. As you do, let yourself get lost in your surroundings. You may want to use apostrophe, or shift perspectives from the first.
--After 4 or 5 minutes, turn your attention gradually inward to your experience of the scene—in what it reminds you of or how it makes you feel. Don’t try to control or direct this process, just tap into your internal language. And keep writing.
--Now let go of the place entirely. Keep writing. Loosen your grip on the pen. Let your body relax, your eyelids get heavy. Write whatever comes.
--As your energy wanes and you start to tire of writing, focus back onto the present setting. Take note again of the sights and sounds around you. Write them down briefly, even if they are the same ones you wrote down earlier, then stop.
--Put this away for a least a day without rereading it, then take it out and revise it.
BELOW ARE 2 EXAMPLES OF MEDITATION POEMS:
DIGGING
Seamus Heaney
Between my finger and my thumb
The squat pen rests; snug as a gun.
Under my window, a clean rasping sound
When the spade sinks into gravelly ground:
My father, digging. I look down
Till his straining rump among the flowerbeds
Bends low, comes up twenty years away
Stooping in rhythm through potato drills
Where he was digging.
The coarse boot nestled on the lug, the shaft
Against the inside knees was levered firmly.
He rooted out tall tops, buried the bright edge deep
To scatter new potatoes that we picked,
Loving their cool hardness in our hands.
By God, the old man could handle a spade. Just like his old man.
My grandfather cut more turf in a day
Than any other man on Toner’s bog.
Once I carried him milk in a bottle
Corked sloppily with paper. He straightened up
To drink it, then fell to right away
Nicking and slicing neatly, heaving sods
Over his shoulder, going down and down
For the good turf. Digging.
The cold smell of potato mould, the squelch and slap
Of soggy peat, the curt cuts of an edge
Through living roots awaken in my head.
But I’ve no spade to follow men like them.
Between my finger and my thumb
The squat pen rests.
I’ll dig with it.
Surrounded by my plants in the corner of my room.
ReplyDeleteMusic playing rain and thunderstorm sounds.
The window cracked open to hear the birds chirp.
To hear the wind blow and smell the rain get ready to fall.
Sitting here as I breath deep in and out and feeling relaxed.
With my eyes closed I feel like I am in a whole new place.
I feel like I am on an Island in a place no one can find me.
A place no one can get to me, one that has no water.
I am in a place surrounded by trees much like the ones I am sitting by.
Like I am in a tropical storm, the rain is coming close to me but missing me.
The birds are sitting on my shoulder wondering when I am going to feed them.
The wind finally died down, the birds have all vanished and my trees are going away.
My Island is slowly disappearing and I am feeling small.
My breaths are getting shallow again, I am back to where I was before.
Everything is different here.
I like this. A couple of tense problems--it is all in the present but then the wind finally died down, instead of dies done. Great sense of the place you are in throughout the poem, the changes in place. Very visual. I especially love "Like I am in a tropical storm, the rain is coming close to me but missing me." You might take out a few words like I feel like, just say I am in a whole new place, I am on an island. I love the ending--it makes me think.
DeleteThe hard rain falls in the front yard,
ReplyDeletesteel blue clouds crescendo across knox county,
gravel driveway fills with silt,
cardinals and blue jays huddle in the pines.
It is the last night I was in Tennessee,
peace of mind came later,
on solitary hikes watching crows
in desert thunderstorms
I like this quite a bit. I'm not sure it's done--this is an important poem for you so I'm not sure I should comment yet.
DeleteASSIGNMENT #1, AUG 9, 2021
ReplyDeleteSunset
Effie Lee Newsome (1885—1979)
Since Poets have told of sunset,
What is left for me to tell?
I can only say that I saw the day
Press crimson lips to the horizon gray,
And kiss the earth farewell.
INSTRUCTIONS: Take a much written about topic (love, hate, nature, heartbreak, sunrise) and find an original metaphor to describe it, or as in this poem, use personification to illustrate it.
I just can’t seem to stand his looks
ReplyDeleteHe is driving me crazy now
The sound of the engine roaring.
I like this--especially the last line. You might add one more detail, is he leaning out the window (I assume it is another driver) to just pin down the image a bit more.
DeleteThis comment has been removed by the author.
ReplyDeleteSunrise of the Hope Church
ReplyDeleteon the steering wheel,
the gravel road dances
in the North Carolina Appalachians,
then the dark rain
in the descent to the river.
I like the happier imagery for a change. I suggest skipping a line so Sunrise of the Hope Church is the title.
DeleteI got separated from the United States 🇺🇸 I was seeing my beautiful snakes 🐍 at the dessert.!
ReplyDeleteIt was kind of a scary feeling.!
I like this--I suggest you give it a title to tell us more of what you're talking about. And I would love if you went back and did the 1st exercise from July 26 as I wrote it with you in mind.
DeleteASSIGNMENT #2, AUG 9, 2021
ReplyDeleteTwilight
Marigloria Palma
Translated by Carina del Valle Schorske
Pensive light. Light
with folded hands, a shrug
of song in the shoulders.
Light that sullies the sea’s
Sunday best, the foam
moving blind over it.
I’ve lost the waistline
of my violet mountains
in the sky’s mouth.
El Yunque is an ancient flute;
retrospective leap.
Blue swallow, blue choke.
Here lives San Juan.
There’s a light that might
save you in the gold
pigeon coop, its womb
made of glass. Here
the rays of the sun
keep growing towards
the dense eyes
of blank harmony.
Passionate
from the balcony I watch
the living death of the sun
high above the shoulders
of the stricken minute.
To the sound of trumpets
I defend my feeling
from the grey bite
of disenchantment.
And the day grows through me
like a magic tree
from nothing to nothing—
grows and sings,
fragrant, shaken,
fills up with promises
and hours.
Nothing changes.
Everything is just twilight.
Physical laws.
I make this light
because I love it.
It’s mine because we are,
eye to eye,
mute correspondence.
We are twilight, luz mía,
just twilight.
INSTRUCTIONS: Write your own poem about an abstract concept such as light, dark, gray, or any color (red, blue, yellow, orange, etc.)
Blue, blends into purple and causes
ReplyDeleteGreen to cry. Orange is flowing over
Into yellow letting red pass it by.
With gold at one end and a cloud at the
Other, they can’t seem to find the middle for the pot
With gold in it.
I absolutely love this. A great poem. I love "causes green to cry", "orange is flowing over into yellow letting red pass it by." I could quote each line because I love it all!!!
DeleteThe basement darkness
ReplyDeletecontains the laundry room,
furnace, the shop tools.
The furnace winks on,
blue light, wakes the house.
I love this poem. I love the furnace winking on, the blue light waking the house.
DeleteASSIGNMENT #1, AUG 16, 2021
ReplyDeleteSTEP POEM: SONG STEPS
1. Name a song.
2. Describe the singer.
3. Describe how he learned the song.
4. Does he sing it often.
5. Is it always the same.
6. What would you change.
7. What would you keep.
8. Imagine the song in the dark.
9. Imagine the song in a new setting.
10. What changes?
CAROUSEL
Sandy Anderson
My Boy Bill.
Gordon MacRae sings it
running around on the beach,
looking out to sea,
sun shining from his anticipation,
then stuffing his hands into his pockets
of dread. He barks the song out from
party carousels and hastily put-together
slingshots. Every time I see
the movie, it is a new beginning
to the end. The song is always
the same, but I am different.
My child that was to be
never materialized, but I would keep
the song on the beach. I would not
bury it in the dark.
He would tip a rowboat
with his emotions-
I would not put the song in a rowboat.
I would quietly slip to the water’s edge
and loose all the rowboats to the sea,
keep the song from slipping away—
keep it here, inside myself.
He learned to sing
ReplyDeleteon the streets and waterfront
of Baltimore in the 1960s,
each song a crumbled brick,
the lyrics are oily water,
the audience is in the churchyard.
I love this.
DeleteI like the song Maria sings.! She teaches children how to sing Dough Ray me.! She is maybe hoping if the are able to at night and in stormy weather their dad will change his mind. I know
ReplyDeleteShe came from church and her also sing in the daytime.! I would do good singing 🎤 like miss Maria.!
I think this is a great start! Perhaps you could name a song that Maria sings. I love the details you do provide. I think you have a typo on the last word of your first line, did you mean to write they rather than the?
DeleteIs there such a thing as a broken love song?
ReplyDeleteSuch a thing as one that is made up? One that
Was written in white ink, that you can only see in
The black light? I can’t even tell you who wrote it
Because they faked it as well. Like the whole journey
That I was on with them, the one that felt true but was
Only lies. They probably sing whatever song it is to
Everyone because that is the one that they want them to hear
That is the one that they want them to believe, that is the
One that in their head is the one that makes most sense.
Leaving me lost, confused, hurt, and in pain. I am not
One to change anything. I want what I thought was right.
I want the original song, I want it sang to just me.
I love the whole concept of this poem. It is so much better than most broken heart love songs. I might try skipping a line after the 1st line and making this the title. I love the ending. Great job!
DeleteASSIGNMENT #2, AUG 16, 2021
ReplyDeleteHOW FAR AWAY WE ARE
Ada Limon
So we might understand each other better:
I’m leaning on the cracked white window ledge
in my nice pink slippers lined with fake pink fur.
The air conditioning is sensational. Outside,
we’ve put up a cheap picnic table beneath the maple
but the sun’s too hot to sit in, so the table glows
on alone like bleached-out bones in the heat.
Yesterday, so many dead in Norway. Today,
a big-voiced singer found dead in her London flat.
And this country’s gone standstill and criminal.
I want to give you something, or I want to take
something from you. But I want to feel the exchange,
the warm hand on the shoulder, the song coming out
and the ear holding on to it. Maybe we could meet
at that table under the tree, just right out there.
I’m passing this idea to you in this note:
the table, the tree, the pure heat of late July.
We could be in that same safe place watching
the sugar maple throw down its winged seeds
like the tree wants to give us something too—
some sweet goodness that’s so hard to take.
INSTRUCTIONS: Pattern a poem after Ada Limon’s poem: perhaps using the same title of first line. Show a place where are you are comfortable (with air conditioning) and some extravagance (pink slippers lined with fake pink fur). Describe a place you’d like to be with an excuse why you’re not (the sun’s too hot to sit in). Describe a couple of bad things that have happened in the world (earthquake, pandemic). Describe how you want to make a connection with someone in the place you’d like to be. End with a metaphor for what the poem means to you (some sweet goodness that’s so hard to take),
The pillows with your smell
ReplyDeleteThis couch with indents in it from you
Pain runs through my body
Love this. You might streamline the 2nd line to "This couch with your indents in it."
DeleteIf you are not comfortable on a granite boulder
ReplyDeleteand cold green water then you have missed the point.
The water sound of sleep is comfortable.
Love this. You could try shorter lines (no changes in words) to make it an easier read.
DeleteASSIGNMENT #1, AUG 23, 2021
ReplyDeleteViolin
,,,,,,Nikki Wallschlaeger
I had the passion
but not the stamina
nor the discipline,
no one knew how
to discipline me so
they just let me be,
Let me play along,
let me think I was
somebody, I could
be somebody, even
without the no-how.
Never cared one bit
when my bow didn’t
match the rest of the
orchestra, I could get
their notes right but
always a little beyond,
sawing my bow across
the strings, cuttin it up
even if I wasn’t valuable
even if I lacked respect
for rules of European
thought and composure.
A crescendo of trying
to be somebody,
a decrescendo of trying
to belong, I played along
o yes, I play along.
INSTRUCTIONS: Have you ever played an instrument, taken a dance class, played on a baseball or soccer team—but didn’t do the work to become really good at this activity? Why did you keep doing it as long as you did? Did you enjoy the social activity of being on a team, in a band, more than the activity itself? Did your parents force you to continue? Did you regret not working harder or quitting later on? Write a poem about this. Perhaps you could even incorporate how the instrument or baseball or dance floor felt about you.
About This Poem
“I had the desire—but not the technical dedication—to continue playing the violin as a young girl, and this poem is about my failure to become a classical musician. Luckily, poetry is more forgiving than learning the moods of a string instrument, and necessitates individuality—this period of my life taught me I was one of those people who was unable (or unwilling) to play along with the crowd, even when I kept up the appearance of doing so.”
—Nikki Wallschlaeger
The chords, the harmony, scales,
ReplyDeletethe rythym, the phrasing,
the melody. The school
concerts, the tuxedos,
the tours. Then the no shows,
the entrance to the seminary.
I love all the details this poem contains. I'd like to know more about the no shows (in the band, the audience) and the entrance to the seminary (what seminary, what it has to do with the music).
DeleteMy French horn just sat in the corner
ReplyDeleteIt tried to leave its case
The flute took over my finger tips
I love this. Especially the detail of the flute taking over your finger tips, and the French horn trying to leave its case!
DeleteI liked doing a certain dance moves in a Mother Goose show and I danced with the big
ReplyDeletePurple tyrannosaurus rex his name was Barney.! I felt good so good old king coal heard me playing
The musical instruments too loud every had hurt ears and I played a little quieter from that day
Forward.!!!🇦🇹🇵🇷🕊🤴🏽🇺🇸
You have such a great imagination!! I loved you dancing with the big purple tyrannosaurus, and that his name was Barney. I think the nursery rhyme spells Ol' King Cole this way. I love that you played too loud and learned to play a little quieter from that day forward. I also love the ambiguity of whether this is a good or sad thing, whether you're doing it to fit in or play in the proper dynamics. The only suggestion I have is which musical instrument are you playing? Great poem!
DeleteASSIGNMENT #2, AUG 23, 2021
ReplyDeleteHUMMINGBIRD
Dorianne Laux
We buried the hummingbird
in his mantle of light, buried
him deep in the loam, one eye
staring into the earth’s fiery
core, the other up through
the door in the sky. His needle
beak pointed east, his curled
feet west, and we each touched
our fingertips to his breast
before lifting them up from
the darkness to kiss. And
from our blessed fists we
rained the powdery dirt
down, erasing the folded
wings, the dream-colored
head, tamping the torn grass
with the heels of our hands,
our bare feet, summer almost
over, swaying together on the great
ship of death as clouds sailed by,
blowing our hair and the wind
walked us back to our room.
INSTRUCTIONS: Make up a ritual or ceremony for something that means a lot to you (burying a pet, calming yourself before going to sleep, a ritual to make the audience less intimidating before walking onto a stage). Write a poem about it.
I buried myself in the Appalachians
ReplyDeletebeneath the Rhododendron blossoms,
in the good part of Tennessee,
so I can be resurrected
from the paranoia
of the valley
I love this! It may be finished.
DeleteAshton
ReplyDeleteEvery year your birthday is important.
Every year we get you your favorite drink.
Every year we visit your grave with a treat.
Every year we lay around you and talk to you.
Every year we want you here but know you aren’t.
Every year it is hard for us but we see the bright side.
Every year we know you are happy while we are sad.
Every year it is not the same as much as we want it to be.
Every year we wish we would see you here again.
Every year your pictures are plastered all over our pages.
Every year you are still gone.
I love the anaphora, the combination of happy-sad. I'd like a few more details--what is your favorite drink, favorite treat, what pages are plastered with your pictures (scrapbook, newspapers, community newsletters, who is we (family, nation, etc.).
DeleteASSIGNMENT #1, AUG 30, 2021
ReplyDeleteI Ask My Mother to Sing
Li-Young Lee - 1957-
•
She begins, and my grandmother joins her.
Mother and daughter sing like young girls.
If my father were alive, he would play
his accordion and sway like a boat.
I’ve never been in Peking, or the Summer Palace,
nor stood on the great Stone Boat to watch
the rain begin on Kuen Ming Lake, the picnickers
running away in the grass.
But I love to hear it sung;
how the waterlilies fill with rain until
they overturn, spilling water into water,
then rock back, and fill with more.
Both women have begun to cry.
But neither stops her song.
INSTRUCTIONS: With all the immigrants coming from Afghanistan and waiting to come in from Central America and Mexico, imagine something you would remember and love to think about if you were an immigrant. Li-Young Lee is Chinese-American, and has never been to China, but obviously he has images he imagines from China. If you have immigrant parents or relatives, perhaps you could bring some of the things into your poem that they have told you about. Or you could imagine you immigrated from the Stone age, or another planet.
A life in Tennessee, South Carolina,
ReplyDeletethe hard rock Appalachians,
drumbeat of 35 degree winter rains,
maples, beech, chestnut,
pickup trucks, music, and beer,
we are out of Africa.
Wow! The ending was so unexpected, it really hit hard. Great poem!
DeleteWhere are my people?
ReplyDeleteThe boats set sail.
England holds my families castle.
Wow! As usual, you sure write great haiku.
DeleteASSIGNMENT #2, AUG 30, 2021
ReplyDeleteSILVER STEP POEM STEP P #10
1. Name 6 objects you associate with the word “silver.”
2. Write a line or two of poetry that turns 2 of those objects into metaphor.
3. Starting with metaphor 1, write a line of poetry beginning with the words “In the.”
4. Finish that line and write 3 more lines that use a geological formation and a heavenly body somewhere within those 3 lines. But start each of these lines with “In the.”
5. End with a line or two, and mention the word “silver.”
September
Nancy Takacs
A river under a streetlight,
a bracelet,
the sheen on the backs of two deer,
kitchen faucet,
casing for a light bulb.
The bracelet becomes a dog.
The faucet becomes a cicada.
In the bracelet there is a kimono.
In the mountain there is a long train.
In the moon there is a girl.
In the reef, nothing walks by
except for some things
cutting into the earth deep
you can only feel are silver.
SILVER
Sandy Anderson
Silver money, silver metal, silver jewelry,
the moon – a sliver of silver,
in the beginning there were silver apples
offered by silver snakes who slithered
in a silver wake.
In the beginning the silver apple was
too tough for me to bite into,
metal against metal to my silver braces.
In the beginning the moon shone brightly
with its imaginary man.
In the beginning the shine in the river
was not something we dove in after.
In the beginning silver spoons were
stuck in the mouths of those who suckled on them.
And the man in the moon moved away from you
when he looked into your silver eyes.
You count out the quarters
ReplyDeleteon the counter of a fast food
restaurant, conserving the bills
for gas, the freedom of the road.
I like this--but feel perhaps it is not finished.
DeleteEarrings, Paperclips, My hands, My stapler, Clippers, Water Bottle
ReplyDeleteEarrings are the caps on top of the water
Paperclips are staples hugging papers tight.
In the earrings are the caps on top of the water.
In the hands waving each sign to others that don’t speak.
In the paperclips are staples hugging papers tight.
The silver clouds bouncing on the ground ready for the sky.
In the hands of the right person above to play ball with them.
Love this! Love the earrings being caps, paperclips hugging. I really love the last 2 lines, You're really on a roll today--2 great poems in one class!
DeleteIn case anyone from UILC checks in--you are welcome to keep coming even though ILC has closed down the class. I will be working with other agencies to find more students over the next couple weeks.
ReplyDeleteASSIGNMENT #1, SEPT 20, 2021
DeleteFIVE-LINER (STEP EX #1)
a. Remember a person you know well, or invent a person in your mind.
b. Imagine a place where you find the person.
Now use these 5 easy pieces to make a poem. Do each in one line if possible.
1. Describe the person’s hands.
2. Describe something he or she is doing with the hands.
3. Use a metaphor to say something about some exotic place.
4. Mention what you would want to ask this person in the context of steps 2 & 3 above.
5. The person looks up or toward you, notices you there, gives an answer that suggests he or she only gets part of what you asked.
STEPS
by Caitlin Cotter, Alta
Flying
Her pudgy fingers were tiny,
she held tightly to the swing,
swaying through the air like a palm branch.
“Are you flying?”
“I’m trying to touch the clouds.”
VAN CLIBURN
Sandy Anderson
His hands were gloved in purple wool
with the fingers cut out. They stroked
the piano keys in the cold garage.
I saw a Tahitian beach, crab legs
emerging from shells to stroke sand.
When did you move the piano
to the garage, I asked.
Before I was born, it’s always been
hear.
He wraps adhesive tape
Deletein layers on each hand,
inserts each hand
into a boxing glove,
steps onto city streets
filed with bars and sailors,
yells who wants to fight?
His rhetoric is drizzle,
men tighten raincoats,
open umbrellas for wives
and girlfriends,
glance at him
and his fractured face
of pathos.
Wow--you are sure getting better at portraying characters. I love "his rhetoric is drizzle going into men tighten raincoats. This is great--I have a feeling it could be a couple lines longer.
DeleteThis comment has been removed by the author.
ReplyDeleteASSIGNMENT #2, SEPT 20, 2021
ReplyDeleteSTEP POEM: TWENTY LITTLE PROJECTS POEM (STEP P #2)
1. Begin the poem with a metaphor.
2. Say something specific but utterly preposterous.
3. Use at least one image for each of the 5 sense, either in succession or scattered randomly throughout the poem.
4. Use one example of synesthesia (mixing the senses).
5. Use the proper name of a person and the proper name of a place.
6. Contradict something you said earlier in the poem.
7. Change direction or digress from the last thing you said.
8. Use a word (slang?) you’ve never seen in a poem.
9. Use an example of false cause-effect logic.
10. Use a piece of “talk” you’ve actually heard (preferably in dialect and/or which you don’t understand).
11. Create a metaphor using the following construction: “The (adjective) (concrete noun) of (abstract noun)…”
12. Use an image in such a way as to reverse its usual associative qualities.
13. Make the persona or character in the poem do something he/she could not do in “real life.”
14. Refer to yourself by nickname and in the 3rd person.
15. Write in the future tense, such that part of the poem seems to be a prediction.
16. Modify a noun with an unlikely adjective.
17. Make a declarative assertion that sounds convincing but that finally makes no sense.
18. Use a phrase from a language other than English.
19. Make a nonhuman object say or do something human (personification).
20. Close the poem with a vivid image that makes no statement, but that “echoes” an image from earlier in the poem.
EXAMPLE OF 20 STEPS BY JIM SIMMERMAN, MAKER OF THE EXERCISE
MOON GO AWAY, I DON”T LOVE YOU NO MORE
1. Morning comes on like a wink in the dark.
2. It’s me it’s winking at.
3. Mock light lools in the boughs of the pines.
Dead air numbs my hands.
A bluejay jabbers like nobody’s business.
Woodsmoke comes spelunking my nostrils
and tastes like burned toast when it rests on my tongue.
4. Morning tastes the way a rock fell
kissing me on the eye:
5. a kiss blown by Randy Shellhourse
on the Jacksonville, Arkansas, Little League field
because we were that bored in 1965.
6. We weren’t that bored in 1965.
7. Dogs ran amuck in the yards of the poor,
and music spilled out of every window
though none of us could dance.
8. None of us could do the Frug, the Dirty Dog
9. because we were small and wore small hats.
10. Moon, go away, I don’t love you no more
was the only song we knew by heart.
11. The dull crayons of sex and meaness
scribbled all over our thoughts.
12. We were about as happy as headstones.
13. We fell through the sidewalk
and changed color at night.
14. Litty Darry was there to scuff through it all,
15. so that today, tomorrow, the day after that
he will walk backward among the orphaned trees
16. and toy rocks that lead him
nowhere I could ever track,
till he’s so far away, so lost
17. I’ll have to forget him to know where he’s gone.
18. la grave poullet du soir est toujours avec moi—
19. even as the sky opens for business,
even as shadows kick off their shoes,
20. even as this torrent of clean morning light
comes flooding down and over it all.
ASSIGNMENT #1, SEPT 27, 2021
ReplyDeleteYear of the Rat, Full Moon in Aries, and Coltrane Plays
Andrea Blancas Beltran
•
Blues to You. I have folded
my sorrows like fitted
bedsheets: fraying elastic, the faint
scent of an ex-lover’s
detergent and my palms
holding the creases
against my skin, a way to live
into them. I have
folded. My sorrows don’t ask
for any precision
other than my hands
against their hands
mountains—
of holding
a mountain of folds smoothed out for the moon and
the impossible season Mars makes of it. Have I folded
my sorrows well enough into
the weather of the darkest
corner of a fading
restaurant and the small
talk caught in its walls? I have
folded my sorrows. I have. I have
forded the shallows dragging
my sheets
and their sweet un
-foldings into
another in
-tractable
year
“This poem owes debts to Bob Kaufman’s poem ‘I have folded my sorrows into the mantle of summer night’ as well as Hoa Nguyen and Kristin Prevallet’s workshop, Duende Beat. Our writing improvisation for our first virtual gathering involved flipping through Kaufman’s Collected Works and randomly selecting one line. We were asked to consider this line a gift from Kaufman while Kristin reminded us, ‘Don’t think about it, feel it’. A spiral of the selected line was of importance, and this poem swirled as I listened to John Coltrane. This poem is also indebted to Mary Ruefle and her impromptu performance of folding a fitted sheet one summer at VCFA.”
—Andrea Blancas Beltran
DIRECTIONS: Bob Kaufman was a poet heavily influenced by jazz. Blues is a basic jazz form, and John Coltrane was a progressive avant-garde jazz performer. Write a poem about an emotion (sorrow, fear, love, anger) using a common action like fold a sheet, (washing dishes, brushing teeth). Try including some musical terms or forms (blues to you, bluegrass to stand on, the stream of water flowing from a saxophone).
ASSIGNMENT #2, SEPT 27, 2021
Kumulipo
Queen Liliʻuokalani
Hawaiian creation chant
At the time that turned the heat of the earth,
At the time when the heavens turned and changed,
At the time when the light of the sun was subdued
To cause light to break forth,
At the time of the night of Makalii (winter)
Then began the slime which established the earth,
The source of deepest darkness.
Of the depth of darkness, of the depth of darkness,
Of the darkness of the sun, in the depth of night,
It is night,
So was night born
ABOUT THIS POEM:
“The Kumulipo (‘Beginning-in-deep-darkness’) is the sacred creation chant of a family of Hawaiian alii, or ruling chiefs. Composed and transmitted entirely in the oral tradition, its two thousand lines provide an extended genealogy proving the family’s divine origin and tracing the family history from the beginning of the world.”
DIRECTIONS: All cultures have creation myths and stories. Many start with the creation of light—this Hawaiian creation chant is unusual as it starts with the creation of night. Write your own creation story or myth.
You live in salvage yards
Deletescrap iron and rocks, gray pools
yesterday's rain,
across rows of railroad tracks
rows of metal buildings in acid mist.
No dogs, cats, or birds.
At night the metallic collisions
of freight cars assembled into trains,
and you are the only passenger,
crossing grass fires and alkali fields,
clicking towards the gardens and waterfalls.
I like this quite a bit, love the only passenger on the train, and the metallic collisions of freight cars assembled into trains. I love the biblical ending (towards the gardens and waterfalls). This is a creation poem of the present into the future?
DeleteDriving a 1975 Volkswagen beetle
ReplyDeleteup the gravel road in western North Carolina,
the engine noise is bluegrass
in the floor boards. The open window
wind is the cello and I feel the road
percussion in the steering wheel.
I left Tennessee alone two nights
ago for the last time.
There is no harmony.
Love this. The last line really makes it come together. I might change the cello to a string bass--as this is a more common instrument in bluegrass.
DeleteThis comment has been removed by the author.
DeleteDriving a 1975 Volkswagen beetle
Deleteup the gravel road in western North Carolina,
the engine noise is bluegrass
in the floor boards. The open window
wind is the string bass and I feel the road
percussion in the steering wheel.
I left Tennessee alone two nights
ago for the last time.
There is no harmony.
Sandy.... I have not done the last 2 poems yet...but I am going to for sure this week and I will also work on these 2 as well.... also.... today is the 20th.... so I was a little lost on the dates you have posted.... please check for my poems this week and I will also email you when I post them all!!! :)
ReplyDeleteASSIGNMENT #1, SEPT 27, 2021
ReplyDeleteWhen There Were Ghosts
Alberto Ríos - 1952-
•
On the Mexico side in the 1950s and 60s,
There were movie houses everywhere
And for the longest time people could smoke
As they pleased in the comfort of the theaters.
The smoke rose and the movie told itself
On the screen and in the air both,
The projection caught a little
In the wavering mist of the cigarettes.
In this way, every story was two stories
And every character lived near its ghost.
Looking up we knew what would happen next
Before it did, as if it the movie were dreaming
Itself, and we were part of it, part of the plot
Itself, and not just the audience.
And in that dream the actors’ faces bent
A little, hard to make out exactly in the smoke,
So that María Félix and Pedro Armendáriz
Looked a little like my aunt and one of my uncles—
And so they were, and so were we all in the movies,
DIRECTIONS: As this is National Hispanic Heritage month, I have selected 2 poems by Hispanic-Americans. Rios grew up in Arizona right on the border with Mexico. This was before there was a wall, so the town was really partly in Mexico and partly in the U.S. Write a poem about how a movie or play or book made you feel part of the movie, book, play or a community.
ASSIGNMENT #2, SEPT 27, 2021
Instructions on Not Giving Up
Ada Limón - 1976-
•
More than the fuchsia funnels breaking out
of the crabapple tree, more than the neighbor’s
almost obscene display of cherry limbs shoving
their cotton candy-colored blossoms to the slate
sky of Spring rains, it’s the greening of the trees
that really gets to me. When all the shock of white
and taffy, the world’s baubles and trinkets, leave
the pavement strewn with the confetti of aftermath,
the leaves come. Patient, plodding, a green skin
growing over whatever winter did to us, a return
to the strange idea of continuous living despite
the mess of us, the hurt, the empty. Fine then,
I’ll take it, the tree seems to say, a new slick leaf
unfurling like a fist to an open palm, I’ll take it all.
DIRECTIONS: Limon wrote this poem during the lockdown part of the pandemic, when sometimes she felt like she was giving up. In this poem she turns to nature (the seasons, plants, weather) as a metaphor on how not to give up. Write your own poem on not giving up with a metaphor from nature. You can use a single flower (how tulips come from a bulb every year), an animal who hibernates during the winter (bears) and wakes in the spring, or birds who migrate to a different part of the planet each year.
The dirt road on the flood plain
ReplyDeletestops in a small river brush clearing
in a flat valley in the intermountain west.
A metal plaque speaks to the heroic death
of a 19th century military officer.
by a massive volley of native american arrows.
But I do not believe the words except for the name
of the soldier.
To the north farmers are burning brush
on irrigation ditches, the orange white smoke
ascending with more veracity than local history
I love this poem. I love the imagery (especially the orange white smoke). It sounds a bit more like prose than poetry. Perhaps shorter lines could correct this as it changes the pace one reads the poem (The dirt road/on the flood plain/stops....). I don't think you need the But starting the 7th line.
DeleteThe ivy and vines on the back yard fence
ReplyDeleteare entangled like new lovers,
not protesting my clippers
in the steamy afternoon just after rain.
Under a blanket of rocky soil
and vines a nest of ground dwelling wasps
swarms upward, Their DNA
in high gear attacking vine leaves,
my clippers, the fence, my hair
and face, the guerillas infiltrate my shirt,
direct and unwavering.
I rise, no shirt,
baptized into the way of the wasp.
WOW!! A great poem. I think it's finished.
DeleteASSIGNMENT #1, OCT 4, 2021
ReplyDeleteTHE DISAPPEARED
Cecilia Vicuña
translated by Rosa Alcalá
To bear another, to be a pair
To be torn apart
I heard it said,
“Evil was invented
to give us something
to talk about”
But how to speak
if each syllable
falls into the sea
The m of mother
drifting away
other, other
where have you gone?
The f of father
sinking further down
ather, ather
where have you gone?
They didn’t fall
They were thrown
to leave us
without speech
to drown our words.
“In the early 70s, after the military coup in Chile, people were arbitrarily detained and disappeared. One of my uncles, a surgeon, disappeared in Santiago, so my heart was full of pain. The poem is focused on the effect of disappearing people on language, the fact that removing them forcefully without ever acknowledging they had been kidnapped felt like removing syllables and consonants from a phrase. To destroy the social fabric was to destroy our ability to speak the truth of our pain.”
—Cecilia Vicuña
DIRECTIONS: Write a poem about people disappearing. You can imagine yourself someplace like Afghanistan or Chile during Pinochet’s reign, or Russia during the Revolution, etc. Or you can imagine people who have disappeared or things that have disappeared during the Pandemic. Or just people you have lost track of throughout your life.
I never saw my father
Deletefor the last half of life,
using his World War Two
pacific ocean US Navy journals,
photographs and 8 mm film
to decode the abyss,
the alcohol, the sixteen year old girls,
three days unloading supplies in Nagasaki
after the bombing. He was white
and always mispronounced the word Japan,
giving it an incorrect accent.
He died in Florida,
a one line obituary, cremated,
no information on the location
of his ashes,
a pebble disappearing forever
into muddy pond water .
I like this, especially the 2nd stanza. In the second line, I think you should verify if it was the last half of his life, or of my life. I think you might try making the 3rd-5th lines into more than one sentence, to make it easier to follow (WWII pacific ocean US Navy journals) is a lot of adjectives to process in one bunch. It might be fun to try and write out how he mispronounced Japan. The more I look over this poem, the better I think it is. I especially like ""to decode the abyss," and the last line.
DeleteASSIGNMENT #2, OCT 4, 2021
ReplyDeleteAutumn Leaves
Marilyn Chin
•
The dead piled up, thick, fragrant, on the fire escape.
My mother ordered me again, and again, to sweep it clean.
All that blooms must fall. I learned this not from the Dao,
but from high school biology.
Oh, the contradictions of having a broom and not a dustpan!
I swept the leaves down, down through the iron grille
and let the dead rain over the Wong family’s patio.
And it was Achilles Wong who completed the task.
We called her:
The one-who-cleared-away-another-family’s-autumn.
She blossomed, tall, benevolent, notwithstanding.
Blackberry Eating
Galway Kinnell - 1927-2014
I love to go out in late September
among the fat, overripe, icy, black blackberries
to eat blackberries for breakfast,
the stalks very prickly, a penalty
they earn for knowing the black art
of blackberry-making; and as I stand among them
lifting the stalks to my mouth, the ripest berries
fall almost unbidden to my tongue,
as words sometimes do, certain peculiar words
like strengths or squinched,
many-lettered, one-syllabled lumps,
which I squeeze, squinch open, and splurge well
in the silent, startled, icy, black language
of blackberry-eating in late September.
DIRECTIONS: Above are 2 poems about autumn. Try writing your own poem about autumn using leaves, blackberries (that bloom in autumn) or any other imagery you associate with autumn.
In Big cottonwood Canyon
Deleteautumn is a medium weight
coat and a wool hat folded above
the ears, the quaking aspen
shivering in yellow air above the stream.
The yellow leaves drop out of their nooses,
march downstream to the pond,
ride the water ripples of wind,
then sink to the bottom mud
into their mass graves.
I like this a lot. I love the way you enjamb the first several lines. But the second half you end-stop all the lines. I suggest you continue the enjambment (The yellow leaves drop out/of their nooses, march/downstream) etc. I especially like the medium weight coat, the wool hat folded above the ears, the quaking aspen shivering in yellow air. and the water ripples of wind. The metaphors really work, and give us images we can see in our minds as we read through the poem.
DeleteFirst poem from 9-13-21...
ReplyDeleteAmber
In the squishy clouds
Her hands were soft and wrinkly.
She is picking up different colors of crayons and putting
Strokes across the page.
This glass place is magical, it is clouds in the ground.
Would our life be different?
Would we still be best friends?
She only me say “different best friends” and got up to walk away
As to what seems like forever, when it’s been as long as it has, it has been my forever
ASSIGNMASSIGNMENT #1. OCT 11, 2121
ReplyDeletePRAYER BOWL
….Al Young, Anishinaabe Indian
When the moon is turned upwards like a bowl waiting to be filled
We must fill it. We must fill it by honoring the spirit of creation
With songs of our joy and thanks, with foods created with our own hands,
Water for the thirsty, prayers for the people, prayers for the spirits,
Prayers for the Creator, prayers for ourselves, and the sacred instruments
That join us to the glory of this world, that join us to the glory of this world
and to the world beyond our sleep.
DIRECTIONS: Today is Indigenous people’s day, so I have chosen 2 poems by 2 poets from 2 different tribes living in the U.S. To write a poem similar to this poem:
1. Start with : When the _____ is turned (or another verb) upwards like a ____ waiting to be ______ we must ____ it. Pick an object from nature or an object you cherish for the first blank (rock, tree, wedding ring).
2. Then list some ways to honor it (with the spirit of the violin, with manna for the hungry)/
3. End it with a couple lines how this object (moon, tree, violin) joins us to others and the world.
4. Include in the last line “the world beyond our _______.
ENT #1. OCT 11, 2121
ASSIGNMENT #2, CT 11, 2121
ReplyDeleteTHERE IS NO WORD FOR GOODBYE
……..Mary Tallmountain, Koyukon Indian
Sokaya, I said, looking through
…the net of wrinkles into
…wise black pools
…of her eyes.
What do you say in Athabascan
…when you leave each other?
…What is the word
…for goodbye?
A shade of feeling rippled
…the wind-tanned skin.
…Ah, nothing, she said,
…watching the river flash.
She looked at me close.
…We just say, Tlaa. That means,
…See you.
…We never leave each other.
…When does your mouth
…say goodbye to your heart?
She touched me light
….as a bluebell.
…You forget when you leave us;
…you’re so small then,
…We don’t use that word.
We always think you’re coming back,
…but if you don’t,
…we’ll see you some plae else.
…You understand.
…There is no word for goodbye.
DIRECTIONS: Have you ever had a moment when you wanted to say something but didn’t have a word for it? Different languages contain words that others done. French have many more words for types of light than English. Inuit have many different words for types of snow than English. The Hawaiian language had no words for orphan or homicide, as they had no concepts for these words (children belonged to the community, and they apparently never had any homicides). I’m not sure if the Athabascan language had a word for goodbye or not, but it works well as a metaphor for this poem. Write a poem about a word you think the English language lacks like one word for a married couple, or there is no word for night dreams while there is a word for nightmares. Make sure to include some images (such as Tallmountain’s poem has bluebells, wind-tanned skin, river flash).